THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Process of Knowing


 
Be­ing in­volved in the find­ing of truth, the mu­si­cal proc­ess of know­ing it­self es­tab­lishes the link be­tween the sub­ject and the ob­ject of cog­ni­tion.

 
Coordination of the Cognizer with the Musical Object of Knowing
This proc­ess of know­ing is based pri­mar­ily on the re­fine­ment of the cog­ni­tive proc­ess it­self – par­ticu­larly on the re­fine­ment of the tools of cog­ni­tion: our in­tel­lect, our feel­ing and un­der­stand­ing, our mind, our sense of hear­ing, our neu­ro­physi­ol­ogy, and our outer or­gan of hear­ing, the ear.

 
Structural Refinement of the Process of Knowing
Cer­tainly, the lis­tener relies also on the po­ten­tial struc­tural re­fine­ment of the acous­tical event dur­ing the con­cert.
In par­ticu­lar, how­ever, his cog­ni­tive proc­ess is based on the guid­ance of the mu­sic crea­tor, a guid­ance that hap­pens most dis­creetly, with­out giv­ing the lis­tener the feel­ing of tight reins – on the con­trary, in­deed, this guid­ance takes him to the per­sonal ex­peri­ence of greater in­di­vid­ual free­dom.

 
The Composer as a Personal Guide through the Cognitive Process