THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


The Physiology of Music


 
The physi­ol­ogy of mu­sic has two as­pects: ob­jec­tive and sub­jec­tive.

 
The ob­jec­tive as­pect of the physi­ol­ogy of mu­sic con­cerns the en­tire range of the mu­si­cal sound-space – as far as it does not di­rectly in­clude the field of crea­tiv­ity.

 
The Objective Field of the Physiology of Music
The ob­jec­tive field of the physi­ol­ogy of mu­sic in­cludes the knowl­edge of the think­ing proc­ess as well as the prac­ti­cal mas­tery over the mind as a mu­si­cal in­stru­ment – the sub­mis­sion of the mind to the rule of the self-aware­ness, to the crea­tive will of the mu­si­cian.

 
More­over, the ob­jec­tive physi­ol­ogy of mu­sic is con­cerned with the mu­si­cian’s imagi­na­tion re­gard­ing the faith­ful in­ter­pre­ta­tion.

 
The sub­jec­tive field of the physi­ol­ogy of mu­sic con­cerns the in­ner re­la­tions of pow­ers of the mu­si­cal com­po­si­tional pa­rame­ters – the har­mony, the se­quence, the melody, and the motif – with the mu­si­cal sound-space, i.e. the junc­tion point of our in­ner-hu­man pow­ers with our mind.

 
The Subjective Field of the Physiology of Music
The ef­fect of the in­ner men­tal pro­duc­tion of mu­sic on the physi­ol­ogy of the mu­si­cian or on the physi­ol­ogy of the lis­tener there­fore does not be­long to the field of the physi­ol­ogy of mu­sic, but to its ecol­ogy.

 
The Effect of the Inner Mental Production of Music on the Musician's or the Music Listener's Physiology
The physi­ol­ogy of mu­sic, the en­tire struc­ture of the mu­si­cal sound-space on the level of the mind, is only the outer men­tal image of that which has been cre­ated within: the mu­si­cal re­sult in the mind of the mu­si­cal art­ist. The physi­ol­ogy of mu­sic is the true mu­si­cal pre­miere which the mu­si­cal art­ist sur­veys with his sense of hear­ing.

 

The Physiology of Music as the Outer Image of that which has been Created Within