THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


The Musical Performers and
Their Laws


 
The com­po­si­tional pa­rame­ters are: the motif, the se­quence, and the har­mony. The rules by which these pa­rame­ters move find their ex­pres­sion in the motif-tech­nique, in the se­quence-tech­nique, and in the har­mony-tech­nique.

 
The Compositional Parameters
The range of ap­pli­ca­tion of these mu­si­cal ele­ments and the natu­ral in­ner for­ma­tive means re­lated to them are: the ap­plied motif-tech­nique, the ap­plied se­quence-tech­nique and the ap­plied har­mony-tech­nique.

 
The Range of Application of the Parameters
The sound-space, as the physi­ol­ogy of the com­po­si­tion, sur­rounds the com­po­si­tional pa­rame­ters and their func­tion like a hull.

 
The Physiology of Music