SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY: THE COSMIC STRUCTURE OF UNIVERSAL CULTURE – THE AUTHENTIC HUMAN COGNITIVE PATH TO THE UNIVERSAL INTELLIGENCE OF CULTURE – THE AUTHENTIC COGNITIVE PATH OF OPERA & ARTS TO THE STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL STRUCTURAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD IN OPERA & ARTS –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL STRUCTURAL COORDINATION OF OUR COSMIC NEUROPHYSIOLOGY WITH OUR COSMIC THINKING
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CONSCIOUSNESS
THROUGH UNIVERSAL ANALYSIS IN THE MUSICAL FIELDS OF COGNTION
DURING THE MUSICAL PROCESS OF COGNITION

at the transition of the combination of basic tone, basic sound and basic idea from the field of our neurophysiology to the force-field of our mind

at the transition of the overtone spectra of the combination of tone and sound with the idea derivation from the field of our neurophysiology to the force-field of our mind

at the transition of the periodic vibrations of the combination of tone and sound with the periodic idea chain from the field of our neurophysiology to the force-field of our mind

at the transition of the vibration sequences of the combination of tone and sound with the idea sequence from the field of our neurophysiology to the force-field of our mind

at the transition of the aperiodic vibrations of the combination of tone and sound with the aperiodic idea chain from the field of our neurophysiology to the force-field of our mind

at the transition of the attacks of the combination of tone, sound and idea from the field of our neurophysiology to the force-field of our mind

at the transition of the decays of the combination of tone, sound and idea from the field of our neurophysiology to the force-field of our mind

at the transition of the overtone mechanics of the combination of tone, sound and idea from the field of our neurophysiology to the force-field of our mind

at the transition of the combination of tone, vowel and idea from the field of our neurophysiology to the force-field of our mind

at the transition of the combination of the overtone spectrum of the tone with the formants and the idea derivation from the field of our neurophysiology to the force-field of our mind

at the transition of the combination of the tone with the unvoiced consonant and the idea from the field of our neurophysiology to the force-field of our mind

at the transition of the combination of the tone with the voiced consonant and the idea from the field of our neurophysiology to the force-field of our mind

at the transition of the combination of tone, sound and idea from the field of our neurophysiology to the force-field of our mind