GERMAN ACADEMY OF SCIENCES
GERMAN ACADEMY OF SCIENCES
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

IV.
DIDACTICS OF MUSIC

The Study of
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Modern Music Analysis

 

 

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   IV            
  THE PROCESS OF CREATING MUSIC            
         
 
Modern Music Analysis


 
 
 
To­day’s sci­en­tific ob­jec­tive age no longer concedes its great minds this kind of “heroism”, and in diligent ea­ger­ness the sim­ple inquisitive mind of the sci­en­tist at­tempts to convey an exact pic­ture of re­al­ity wher­ever he finds it.
Natu­rally, this sen­si­ble pur­pose­ful at­ti­tude of the ana­lyti­cal think­ers of our time – es­pe­cially of the quali­fied ones – is also found in the mu­si­cal crea­tors of the pre­sent.

 
The Interpreter as an Expert
 
 
Thus, to­day the time has come where our criti­cal con­tem­po­rary minds, through pro­found, sys­tem­atic sci­en­tifi­cally-ori­ented re­search verify the mecha­nism of in­ner crea­tiv­ity.

   
 
This also in­cludes the sim­ple, ob­jec­tive at­ti­tude, by which the com­poser ex­am­ines the com­po­nents which de­ter­mine his in­ner crea­tive proc­ess, and quantifies their re­spec­tive share in pro­duc­ing the mu­si­cal work.

 
The Magic Veil of Music
 
 
And the in­ter­preter, too, will be iden­ti­fied sim­ply as an ex­pert, and his plat­form – the raised stage – will be brought di­rectly into the au­di­ence.

   
 
At this point there­fore, we want to raise the magic veil of mu­sic and, through sim­ple re­flec­tion, place the in­ner se­cret of the magic power of mu­sic into the light of sys­tem­atic, sci­en­tific veri­fi­ca­tion.

   
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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