GERMAN ACADEMY OF SCIENCES
GERMAN ACADEMY OF SCIENCES
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Basic Law of the Academy

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Education Programm

Introduction to the University of the Future

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Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VIII.
THE PHYSICS OF MUSIC

The Dimension
of the Tone

Mastery over
the Instrument

Freedom of the Musician

The System of the Conventional Presentation of Sound

Unlimited Potential for
Structuring the Musical Sound-Space

The Fixed Tone

Modern Sound Production

The Long Forgotten
World of the
Microcosm of Music

Entering the
True World of Music

Musical Sovereignty in
the Inner-Tonal
Planetary Systems

The Inner World
of Power of the Melody

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   VIII            
  THE PROCESS OF CREATING MUSIC            
         
 
The Fixed Tone


 
 
 
The con­ven­tional use of mu­si­cal in­stru­ments, and the prac­tice of per­form­ance and mu­sic re­pro­duc­tion so far, did not even permit such a pro­found ex­peri­ence to be imag­ined be­cause, among other rea­sons, the per­fec­tioned in­stru­men­talists, while in­ves­ti­gat­ing, plan­ning and con­structing, ran aground in the field of pe­ri­odic waves.

 
The “Perfectionist” at the Instrument
 
 
A pe­ri­odic wave com­pletely fixates the spec­trum of over­tones. And be­cause of this com­plete fixa­tion, along with the over-em­pha­sis on the ba­sic tone, we lis­ten­ers do not get an im­pres­sion of the ex­is­tence of an in­fi­nite space-time di­men­sion within the tone.

 
The Periodic Wave
 
 
The con­ven­tion­ally pro­duced in­stru­ment sound re­minds us of a tree that no longer re­ceives nour­ish­ment, and there­fore dries up.

 
The Dried-Up Instrumental Sound
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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