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MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VIII.
THE PHYSICS OF MUSIC

The Dimension
of the Tone

Mastery over
the Instrument

Freedom of the Musician

The System of the Conventional Presentation of Sound

Unlimited Potential for
Structuring the Musical Sound-Space

The Fixed Tone

Modern Sound Production

The Long Forgotten
World of the
Microcosm of Music

Entering the
True World of Music

Musical Sovereignty in
the Inner-Tonal
Planetary Systems

The Inner World
of Power of the Melody

 

 

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   VIII            
  THE PROCESS OF CREATING MUSIC            
         
 
The Long Forgotten World of the
Microcosm of Music


 
 
 
Un­til now, the lis­tener may have ex­peri­enced such di­ver­sity, in the form of an in­ner per­sonal reve­la­tion, only dur­ing a few enlight­ened mo­ments of his in­ner ex­peri­ence – quite out­side con­ven­tional mu­sic.

 
The Liberation of Music in the Practical Performance
 
 
The mu­sic lover, un­der the di­rect guid­ance of the in­ner mu­si­cal for­ma­tive will now en­ters the deep­est depths of mu­sic: a long for­got­ten, beau­ti­ful world in which the me­chan­ics of over­tones, di­rected by the com­po­si­tion it­self, break the chains of the fixed in­stru­ment char­ac­ter­is­tics and free mu­sic from the sound in which it has been trapped.

   
 
In­spired by a new hear­ing abil­ity, this mod­ern subtle tech­nol­ogy for re­cording mu­sic starts from the prac­ti­cal mas­tery over the mi­cro­cosm of mu­sic. The enor­mous in­crease of mu­si­cal en­ergy, avail­able for the men­tal-psy­chical stimu­la­tion of the lis­tener, cor­re­sponds to the in­crease of en­ergy which we find in sub­atomic fields when going deeper into nu­clear phys­ics.

 
Increasing the Energy within the Tone
 
 
The con­trol, how­ever, which we gain over the “in­ner spec­tra of mu­sic” to­day is far more com­pre­hen­sive than the con­trol which phys­ics has over the “in­ner spec­tra of atoms” in the field of nu­clear fis­sion.

 
Gaining Control in the Inner World of Sound
 
 
Dur­ing the struc­tur­ing of the mu­si­cal sound-space the motif ex­pres­ses it­self in the proc­ess of its grad­ual awak­en­ing within the over­tone-spec­trum.

 
The Birth of the Motif
 
 
Through this, the motif enli­vens the space- and time-struc­tur­ing ele­ments of sound from within.

   
 
Com­pared to the plane­tary sys­tem of a “tone” with its dy­nami­cally struc­tured spec­trum of over­tones, a mu­si­cal motif is some­thing like a su­pernova un­fold­ing in a con­trolled man­ner.

 
The Dimension of the Motif within the Sound
 
 
Thus, just as the motif rep­re­sents a world in large, the tone rep­re­sents a world in small. But now, for the first time, the sound has its own in­ner world of ex­tremely subtle mo­tifs which de­ter­mine its mi­cro­cosm in the mu­si­cal sound-space, and which now con­sti­tute the in­ner life of mu­sic.

 
The Power of the Motifs in the Microcosm of Music
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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