THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Patience


 
On the ab­so­lu­te mu­si­cal level of the har­mony we make the ex­peri­ence of the com­poser: we ex­peri­ence the in­fi­nite flow of per­fect mu­sic be­yond space and time.

 
The Music Listener in the Realm of Experience of the Composer
If this per­fect mu­si­cal ex­peri­ence is per­ma­nently open to us, then the lim­ited rela­tive mu­si­cal ex­peri­ences are not able to lure us out of this so com­pletely ful­fill­ing state of ex­peri­ence of the pure mu­si­cal world of the har­mony.

 
Powerlessness of the Limited Musical Forces
Due to our stand­point of per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony we are quite in­dif­fer­ent to the rela­tive mu­si­cal hap­pen­ing.
No longer we use our rela­tive mu­si­cal crea­tion for our own ful­fil­ment, but only for the pur­pose of lead­ing other mu­sic lis­ten­ers into the in­fi­nite mu­si­cal world of the har­mony which is now per­ma­nently ac­ces­si­ble for us.

 
Freedom of the Creative Music Listener
As a re­sult of this per­ma­nent per­fect mu­si­cal ex­peri­ence, a qual­ity grows within us which we com­monly call “pa­tience,” a pa­tience to­wards the rela­tive mu­si­cal proc­ess of know­ing.

 
Patience with the Musical Limits
Be­cause, seen from the state of our su­preme mu­si­cal ful­fil­ment, our grad­ual pro­gres­sion from smaller ful­fil­ments to greater and higher ful­fil­ments leads al­ways and only to the com­plete mu­si­cal full­ness of the har­mony.

 
Once we are an­chored in the unlim­ited field of the har­mony, pa­tience to­wards the rela­tive, lim­ited events in the outer mu­si­cal force-fields is the most natu­ral thing in the world for us.

 
For, in our per­sonal mu­si­cal ex­peri­ence, we live be­yond space and time.
Im­pa­tience, there­fore, does not exist for us – can­not exist – since im­pa­tience can appear only within spa­tial and tem­po­ral limi­ta­tions, but never in the unlim­ited mu­si­cal field of the har­mony – be­yond space and time.

 
The Personal Musical Experience beyond Space and Time