THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Eigenfunction of the Intellect
as the True Musical Creator


 
By vir­tue of the ei­gen­func­tion of their in­tel­lect, all great mu­sic poets de­vel­oped and de­velop their im­mor­tal mu­si­cal crea­tions – out of the in­te­grated func­tion of feel­ing and un­der­stand­ing.
In the state of rest­ful alert­ness they dis­cov­ered in their in­tel­lect the true ori­gin of all mu­sic: the har­mony.

 
The Natural Basis of Creating Music
By enli­ven­ing this true source of the art of sound from the si­lence of their hearts, they stimu­lated the depth of their minds to vibrate all-crea­tively.

 
So, the clas­si­cal mu­si­cal poets cre­ated their great mu­si­cal works by suc­cess­fully iden­tifying them­selves with their na­ture-given, in­ner mu­sic crea­tor – by link­ing them­selves in their con­scious think­ing to the in­ner­most es­sence of their life rest­ing in unshakable si­lence.

 
Fundamental Know-How of the Creators of Classical Music

“Con­cen­trated think­ing rep­re­sents
an im­mense force,
and the di­vine power
re­acts to it.”

Rich­ard Strauss


 
From birth on, our great mu­si­cal crea­tors pos­sessed the abil­ity to tran­scend – be it by the fa­vour of des­tiny, or by the merit of heri­tage – and they knew how to refine their think­ing through mu­si­cal logic.

 
Ac­cess to the Co­ordi­nat­ing Power over the Crea­tive Proc­ess in Mu­sic
To­day, by lis­ten­ing to genu­ine clas­si­cal mu­sic, eve­ry in­di­vid­ual can ex­peri­ence this all-crea­tive po­ten­tial of the tran­scen­dence, for in the in­ner logic of such mu­sic and in the mu­si­cal cog­ni­tive proc­ess delineated in it the men­tal crea­tive proc­ess is be­ing de­vel­oped com­pletely sys­tem-atically.

 
General Availability of the Field of All Possibilities
Thus, ho­lis­tic in­sight into the true proc­ess of the art of mu­sic is avail­able not only to the gen­ius – who knows by birth and by fa­vour­able cir­cum­stances how to un­fold crea­tiv­ity – but also to the com­mon lis­tener.
By vir­tue of the mu­si­cal logic, the com­mon lis­tener be­comes a crea­tive mu­sic lis­tener, the mu­sic lover be­comes a mu­sic knower, the mu­si­cian be­comes a me­dia­tor of the mu­si­cal truth, and: the mu­sic teacher be­comes a knower who relies on his very own per­sonal ex­peri­ence.

 
General Holistic Insight into the True Process of the Art of Music