THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS

NATURAL MUSIC HEARING OUVERTURE CONVEYING TRUTH IN MUSIC Music and Nature The Fires of Cognition in Music Music and Philosophy – A Comparison The Wayless Way of Gaining Knowledge in Music The Dimension of Conveying Knowledge in Music TEIL I THE OBJECT OF GAINING KNOWLEDGE IN MUSIC The System of the Fields of Knowledge in Music The Function of the Fields of Cognition in Music Immediate Knowledge of the Musical Meaning The Structure of the Fields of Cognition in Music The Fields of Knowledge of the Musical Representation Patterns of Perfect Education in Music TEIL II THE LOGIC OF THE MUSICAL FIELDS OF COGNITION Empirical Gaining Knowledge in Music The Unlimited Course of Life in Music The Levels of Gaining Knowledge in Music The Process of Musical Perception The System of Musical Deduction The Technique of Musical Comparison Music-Analysis and Music-Synthesis The Steps of Musical Cognition Creating Music as an Empirical Process of Knowing The Authentic Musical Statement Integration of Outer and Inner Musical Knowledge TEIL III IMMORTAL AND MORTAL TRADITION OF MUSIC The Measure of Musical Perfection The Freedom of the Musical Meaning Doubt in the Process of Finding Musical Truth Producing Heat and Cold in Music The Harmonizing Nature of True Classical Music The Intention of Conveying Truth in Music The Totality of All Happiness of Life in Mind TEIL IV THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH The Example of the Composer in the Cognitive Process in Music Fixed Principles in the Process of Gaining Knowledge in Music The Stream of Musical Gaining Knowledge The Process of Musical Consideration Streams of Energy and Intelligence in the Process of Gaining Knowledge in Music The Inner Logic of the Musical Process of Knowing The Musical Creator Carries His Natural Responsibility The Listener’s Freedom from Fate TEIL V THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE The Three Steps towards Truth The Cognizant Music Listener The Object of Knowing in Music The Process of Knowing The Art of Drawing Conclusions in Music The Musical Experience of the Almighty Creative Force of the Harmony The Purpose of Musical Logic Musical Enlivening of the Self-Awareness in the Listener The Joy-Giving Process of Creativity TEIL VI THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC Musical Confrontation of Feeling and Understanding The Nourishing Flood of Pure Alertness in the Harmony The Musical Dispute The Understanding Without the Perfect Nourishment of Pure Self-Awareness The Process of Intellectual Clarification in Music Feeling and Understanding in the World of the Harmony The Absolute Sound-Substance in Perfect Function The Musical Dispute as the Most Free Kind of Playful Diversity Musical Depreciation Structural Musical Analysis of Values Breaking Off the Cognitive Process in Music Natural Structuring of the Sound Pattern in Music TEIL VII ERRORS IN GAINING KNOWLEDGE IN MUSIC The Fallacy in Gaining Knowledge in Music No Deduction in the Absolute Musical Force-Field of the Harmony The Contradictory in Gaining Knowledge in Music The Answer Being Equivalent to the Question in Music The Level of Perfect Creativity of the Absolute Tone-Substance The Unproved in Gaining Knowledge in Music The Secret Rulers of the Tonal Stars of Music The Secret Ruler of All Music Knowing the Unreality of the Outer Musical Happening The Belated TEIL VIII EQUIVOCATION Equivocation Due to Separateness of Meaning and Form The Dual Musical Truth Equivocation through Deducing the Meaning from the Form Equivocation through Deducing the Form from the Meaning Superficial Deduction The System of the Creative Process in Music Contradiction to Fundamental Truths in the Musical Gaining of Knowledge TEIL IX THE SECRET OF MUSIC The Secret Exchange of Experiences of the Listener with the Creative Form of the Music Creator The Great Musical Turning-Point The Father of the World-Creators in Music The Technique of Conveying Truth in Music The Fires of Cognition of Music Step by Step the Social Awareness Awakens in the Listener Knowing Unity in Music TEIL X THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC Ultimate Knowledge in Music The Creative Power of the Absolute Sound-Substance The Art of Discrimination in Music The Art of Not Being Bound in Music The Six Treasures of Musical Cognition Control over the Mind Control over the Sense of Hearing Abstaining from Limitation Patience Belief Equanimity Desire for Liberation TEIL XI INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC Ancient Truths in Music The Golden Net of Knowledge in Music The Great Musical Sense of Achievement The Organs of Cognition in the Process of Gaining Knowledge in Music Necessity of the Neurophysiological Integration The Performance of the Self-Awareness in the Musical Process of Knowing The Self-Awareness Systematically Practises Self-Identification Insight into the Basis of Music Fundamentals of Modern Musicology Limitations of Conventional Musical Education Increase of Performance of the Intellect in Music The Eigenfunction of the Intellect as the True Musical Creator The Journey to the Eternal Sources of Music The Highest Intellectual Achievement Possible to Man Authentic Successful Musicology The Music Listener at the Origin of All Creative Thinking Purposeful Development of Performance in the Field of our Neurophysiology The Musician and His Surroundings The True Organs of Finding Truth in Music TEIL XII THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH The Path of Knowledge and the Goal of Truth The Fields of Knowledge in the Musical Representation The Musical Way of Cognition to Wisdom and Happiness of Life Absolute Love of Truth in Music

Fixed Principles in the Process of Gaining Knowledge in Music
In the proc­ess of gain­ing knowl­edge in mu­sic it is a fixed prin­ci­ple: that the com­poser cre­ates the mu­sic from the level of pure self-aware­ness, out of the in­fi­nite source of the har­mony; for only pure self-aware­ness is able to ac­ti­vate this ab­so­lu­te mu­si­cal force-field of the har­mony to flow crea­tively.		The Adequate Standpoint of the Music Creator in Pure Self-Awareness
At the same time it is a fixed prin­ci­ple: that the com­poser re­mains firmly es­tab­lished in the field of pure self-cog­ni­tion dur­ing his proc­ess of cre­at­ing; for if he would lose the in­ner con­tact to this in­fi­nite source of his crea­tiv­ity he would no longer be able to draw from it.		In Contact with the Source of All Creativity
More­over it is a fixed prin­ci­ple: that, while re­main­ing in the field of pure self-aware­ness, the com­poser leaves this unlim­ited field of crea­tive power for the world of mu­si­cal growth and in the form of the mu­si­cal work throws the golden mu­si­cal rainbow-bridge to the mu­sic lis­tener.		The Golden Musical Rainbow Bridge to Truth
Fur­ther­more, it is a fixed prin­ci­ple: that, from the self-cre­ated mu­si­cal sound-space, the mu­si­cal poet traces out to his lis­tener a pass­able way into the depths of gain­ing knowl­edge in mu­sic, then goes this way him­self to set his lis­tener an ex­ample and si­mul­ta­ne­ously teaches him how to walk this way safely – he per­son­ally guides him to the mu­si­cal truth.		The Musical Creator as Teacher