THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION

OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


Fundamental Research


  
A va­ri­ety of com­po­nents can be found in speech which have a sub­stan­tial share in the proc­ess of its gen­era­tion and ap­pli­ca­tion; or which in one way or an­other are di­rectly re­lated to it:
  1. the or­gan of speech it­self – we dis­tin­guish be­tween the in­ner and the outer or­gan of speech;

  2. the me­chan­ics of the or­gan of speech, and the or­gans, or forces, in­volved in the gen­era­tion of speech;

  3. the proc­ess of ar­ticu­la­tion;

  4. the ar­ticu­lated; its con­tent and form – mean­ing and struc­ture, two­fold in­for­ma­tion: the phys­ics of the spo­ken word;

  5. the trans­for­ma­tion proc­ess from the in­ner speech to the outer speech, and the trans­for­ma­tion proc­ess from the in­ner hear­ing of mu­sic to its outer re­ali­za­tion;

  6. the mi­cro­cosm of speech and mu­sic;

  7. the mac­ro­cosm of speech and mu­sic;

  8. struc­tur­ing space and time in speech and mu­sic;

  9. the ana­lyti­cal as­pect of speech and mu­sic – diversification;

  10. the syn­the­sis of speech and mu­sic;

  11. the heri­tage of our an­ces­tors – a glimpse of the ex­ist­ing pos­si­bili­ties;

  12. the runes as the es­sence of lan­guage and com­mu­ni­ca­tion.

  
The Components which Define Speech