THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


Musical Insight into the
Culture of Peoples


 
In this terms, the mu­sic of dif­fer­ent peo­ples no longer ap­pears as the ex­pres­sion of the sepa­ra­tion of en­tirely dif­fer­ent cul­tures, but rather as an ex­pres­sion of the de­gree of sub­tlety in which the natu­ral spec­trum of over­tones is per­ceived. And this, in turn, re­sults in dif­fer­ent cul­tures hav­ing dif­fer­ent meth­ods of pre­sent­ing the mu­si­cal sound-space.

 
Conclusions from the Understanding and the Presentation of the Musical Sound-Space
There­fore the mu­sic of dif­fer­ent cul­tures with their dif­fer­ent lev­els of de­vel­op­ment shows dif­fer­ent per­cep­tion of the de­gree of or­der of hu­man evo­lu­tion, which again is dif­fer­ently ex­pres­sed in mu­sic.

 
Musical Degree of Order and General Human Evolution
From this one can con­clude that the mu­sic of dif­fer­ent peo­ples, or of the same peo­ple at dif­fer­ent times or at dif­fer­ent places, is not dif­fer­ent be­cause of an imagi­nary dif­fer­ence of cul­tures, but be­cause dif­fer­ent lev­els of hu­man evo­lu­tion have been reached, and have been ex­pres­sed in their mu­sic.

 
From this mu­sic-theo­reti­cal analy­sis we may fur­ther con­clude that, as far as mu­si­cal or­der is con­cerned, dif­fer­ent cul­tures do not really exist. There are only higher and lower lev­els of hu­man evo­lu­tion which ex­press them­selves in vary­ing de­grees of mu­si­cal or­der.

 
Musical Order and Cultural Order