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Integration of Levels of Creativity

Types of Rulership of the Harmony

Thus the overtone-mechanics, the motif-technique, the sequence-technique, and the harmony-technique are directly based on the harmony.

In truth-oriented music all these levels of creativity are directly rooted in the harmony.

Although the overtone-mechanics govern the sound-space from inside,
the motif-technique governs the motif-spaces from inside,
the sequence-technique governs the world of the sequences from inside,
and the harmony-technique governs all these worlds together from inside, actually, all these four dimensions are empowered by the harmony directly,
and the harmony-technique, the sequence-technique, the motif-technique, and the overtone-mechanics are but different forms of rule of the one universal harmony cognised in varying degrees of comprehensiveness.

Dual Sovereignty of the Musical Systems of Order

So, the compositional world of a superior order is always in two ways more comprehensive than the respective world of an inferior musical order:
firstly, more comprehensive from outside – with respect to the sound-space perceived,
and secondly, more comprehensive from inside, because the compositional world of a superior order always embodies a higher degree of subtlety.

The Great Attraction of Classical Music

The simultaneous comprehension of the “vertical” and the “horizontal” human-cosmic systems of order through the integrated function of feeling and understanding accounts for the great attraction of classical music.

Lively Musical Radiation

If creating and listening to music wants to radiate life, the integration of feeling and understanding is always required.

If this integration is not established, music lacks its basis of enlivened silence, and will merely be an inner or outer presentation of an acoustic event.

Structure of Rulership of the Harmony

At a certain degree of musical order – in the sphere of presenting the cosmic evolution and movement of matter – the cognized rulership of the harmony is called “overtone-mechanics”.

At a higher degree of order – in the sphere of presenting the cosmic individual evolution of creatures – the cognized rulership of the harmony is called “motif-technique”.


At a still higher degree of order – in the sphere of presenting the cosmic social evolution – the cognized rulership of the harmony is called “sequence-technique”.

And at the most comprehensive order – in the sphere of presenting the cosmic universal evolution – the cognized rulership of the harmony is called “harmony-technique.”