GERMAN ACADEMY OF SCIENCES
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

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Peter Hübner
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FACULTY OF OPERA & ARTS
FACULTY OF PYTHAGORAS
FACULTY OF EDUCATION
FACULTY OF MEDICAL SCIENCES


INTEGRATED SUBJECTIVE & OBJECTIVE
RESEARCH & DEVELOPMENT
THE DIFFERENT STATES OF CONSCIOUSNESS
AND THEIR UNIVERSAL INTEGRATIVE SIGNIFICANCE
IN SCIENCES & ARTS
.
COGNITION
 
The Significant Effects of the 1st State of Consciousness –
SLEEPING STATE – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 2nd State of Consciousness –
DREAMING STATE – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 3rd State of Consciousness –
WAKING STATE – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 4th State of Consciousness –
TRANSCENDENTAL CONSCIOUSNESS – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 5th State of Consciousness –
COSMIC CONSCIOUSNESS – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 6th State of Consciousness –
REFINED COSMIC CONSCIOUSNESS – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 7th State of Consciousness –
UNITY CONSCIOUSNESS – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
 
CREATIVITY
 
The Significant Effects of the 8th State of Consciousness –
UNITY CREATIVITY – in Integrated Subjective & Objective
Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 9th State of Consciousness –
REFINED COSMIC CREATIVITY – in Integrated Subjective & Objective
Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 10th State of Consciousness –
COSMIC CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 11th State of Consciousness –
TRANSCENDENTAL CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 12th State of Consciousness –
WAKING CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 13th State of Consciousness –
DREAMING CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 14th State of Consciousness –
SLEEPING CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
 
HARMONY
 
The Significant Effects of the 15th State of Consciousness –
UNITY CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 16th State of Consciousness –
REFINED COSMIC CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 17th State of Consciousness –
COSMIC CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their
Counterpart in OPERA
.
The Significant Effects of the 18th State of Consciousness – TRANSCENDENTAL CONSCIOUSNESS & CREATIVITY
in Integrated Subjective & Objective Personal Development & their Counterpart in OPERA
.
The Significant Effects of the 19th State of Consciousness –
WAKING CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their
Counterpart in OPERA
.

The Significant Effects of the 20th State of Consciousness –
DREAMING CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their
Counterpart in OPERA

.
The Significant Effects of the 21st State of Consciousness –
SLEEPING CONSCIOUSNESS & CREATIVITY – in Integrated Subjective & Objective Personal Development & their Counterpart
in OPERA