As we lis­ten to mu­sic, we per­ceive in our per­sonal ex­peri­ence these re­sound­ing spaces as our own in­ner world of sound, as our own in­ner crea­tive world, as our very own in­ner, prime, world of life, as our mani­fold self, as our one and all.

And ac­cord­ing to the pat­tern pro­vided by the com­poser, we can deal with our own mani­fold crea­tive tal­ents, our true crea­tive po­ten­tial in the sound­ing rounde­lay of our own in­ner quali­ties; and we can real­ize our­selves to be crea­tive.

The com­poser’s feel­ing of power and his iden­ti­fi­ca­tion with the crea­tor is surely one of the most ele­vat­ing ex­peri­ences man can ever make, and this great fa­vour of the gods we only at­trib­ute to the great men of gen­ius who ap­plied their in­ner wealth of power over long pe­ri­ods of time to the bene­fit of their sur­round­ings.

This in­ner, per­fect feel­ing of power of the com­poser arises also within us mu­sic lis­ten­ers through the co­or­di­na­tion of our fully enli­vened feel­ing and our fully awakened un­der­stand­ing – through the full un­fold­ment of our in­tui­tion: through the full func­tion of our in­tel­lect.