UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
GERMAN ACADEMY OF SCIENCES
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
  PART   XII   112  
  THE PROCESS OF CREATING MUSIC      
         
 
The Language of Music


   
 
It is easy to imag­ine that, by ap­ply­ing a spe­cial tech­nol­ogy for the sys­tem­atic in­ner and outer re­fine­ment of the proc­ess of ar­ticu­la­tion, and thereby for the true for­ma­tion of speech, such a highly de­vel­oped abil­ity of lin­guis­tic ex­pres­sion will be cul­ti­vated in the near fu­ture and on a broad basis that speech will have an ef­fect as pro­found as only mu­sic has to­day, and will appear to man as pure mu­sic.

 
The Potential of Refinement of Speech
 
 
For this, speech must be con­ceived and mas­tered on the level of the unity of mean­ing and form. Then, speech and mu­sic would be uni­fied through this in­ner re­ali­za­tion, and this would be the heyday of the mu­si­cal art­ists.

 
Speech on the Level of the Unity of Meaning and Form
 
 
The mi­cro­cosm of speech, as well as of mu­sic, would be gen­er­ally rec­og­nized as unity, and the mac­ro­cosm of speech and mu­sic would natu­rally re­flect this unity in the world of sing­ing and in­stru­men­tal per­form­ance.

 
The Heyday of the Musical Artists
 
 
Here, an in­ves­ti­ga­tion into the heri­tage of our speech is worth­while.
Let us there­fore delve into our an­ces­tor’s knowl­edge of speech.

 
Our Linguistic Heritage
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

XII.
MUSIC AND SPEECH

Speech

The Superiority of Music
over the Language of Today

Fundamental Research

The Organ of Speech

The Smithy of Thought

Sovereignty over Bound and Free Creativity

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The Language of Music

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