GERMAN ACADEMY OF SCIENCES
GERMAN ACADEMY OF SCIENCES
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

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Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

XII.
MUSIC AND SPEECH

Speech

The Superiority of Music
over the Language of Today

Fundamental Research

The Organ of Speech

The Smithy of Thought

Sovereignty over Bound and Free Creativity

The Dimension of
Creative Unfoldment

Control over the World
of Thinking

Content and Form,
Meaning and Structure

The Share of the
Senses of Perception
in the Process of
Gaining Knowledge

The Language of Music

How Our Ancestors
Used Language

Conclusions from the
Ancient Records

The Legacy of
Our Ancestors

The Task Set by
Our Ancestors

 

 

Astronomy of Mind EQ x IQ

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   XII            
  THE PROCESS OF CREATING MUSIC            
         
 
Sovereignty over Bound and
Free Creativity


   
 
This en­tire mani­fold in­ner-hu­man world is known so far al­most only to the dreamer and, in his dream, he is the crea­tive king of his own lively men­tal world of fan­tasy.
But so far, unfor­tu­nately, he exe­cutes a cer­tain sov­er­eignty over the mani­fold realm of his men­tal ex­peri­ences only in his dream.

 
Power over Dreaming and Waking State of Consciousness
 
 
For the crea­tive man, how­ever, it is only natu­ral to pro­duce at will an ex­tremely rich, mani­fold, in­ner world of thoughts in his wak­ing state of con­scious­ness, too, and to live in it as its great ruler.
This sphere of the in­ner for­ma­tive power we call the world of crea­tive fan­tasy.

 
The World of Creative Fantasy
 
 
In­ter­nally-physi­cally – in terms of the in­ner me­chan­ics of the or­gan of speech, of the me­chan­ics of the senses and of the me­chan­ics of the mind, of the me­chan­ics of the breath and of the me­chan­ics of dis­crimi­na­tion – there is no dif­fer­ence be­tween the world of dream­ing and the world of fan­tasy of a poet or mu­si­cian. But there is a great dif­fer­ence in the ac­tual sov­er­eignty over the dream­ing state of con­scious­ness and the wak­ing state of con­scious­ness – in the in­flu­ence of the self-aware­ness over the de­vel­op­ment of the flow of thoughts.

 
Beyond the Mechanistic Processes of Creativity
 
 
The dreamer is hardly able to in­flu­ence the course of his dream whereas an in­di­vid­ual, gifted with crea­tiv­ity, freely de­ter­mines the de­vel­op­ment of his world of fan­tasy at any moment.

 
Freedom of Decision in the World of Fantasy
 
 
In the dream­ing state of con­scious­ness, the self con­sumes the men­tal changes pas­sively like a visi­tor to a cin­ema be­cause in the dream­ing state of con­scious­ness the or­gan of de­ci­sion – the in­tel­lect – has de­cided to mostly relax, and there­fore it in­flu­ences the course of the dream-events only very lit­tle.

 
The Inability to Make Decisions in the Dreaming State of Consciousness
 
 
Quite dif­fer­ent the wak­ing state of con­scious­ness of the crea­tive in­di­vid­ual: here, the self-aware­ness com­pletely gov­erns the change of scenes in the world of the mind through the set­tled in­tel­lect.
There­fore, the har­mo­ni­ously or­ga­niz­ing power has its great­est value in the con­scious fan­tasy of the alert, crea­tive art­ist.

 
The Ability to Make Decisions in the Waking State of Consciousness
 
 
The self of the dreamer exerts only lit­tle in­flu­ence over the dream ex­peri­ences be­cause, in the dream, it looses the knowl­edge of its own men­tal or­ga­niz­ing power. Dur­ing the dream, the self is unaware that it dreams, that it is in­deed the or­gan­izer of the dream, and that it can change its events at any time, or in­ter­rupt it by wak­ing up at will. If it did not lose this knowl­edge of its or­ga­niz­ing power over the dream, the phe­nome­non of fear, for ex­ample, would be im­pos­si­ble dur­ing dream­ing.

 
Creativity in Chains
 
 
The in­di­vid­ual of un­folded crea­tiv­ity real­izes that he is the imagi­na­tive or­gan­izer, the great ruler over the realm of his fan­tasy, the great sov­er­eign over his in­ner worlds, the fear­less, mighty or­gan­izer of eve­ry­thing he is ex­peri­enc­ing, the one who is hold­ing the reins to his men­tal ex­peri­ences in his hands, and who de­ter­mines the events at any time.

 
The Imaginative, Creative Individual
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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